Zana Naveed

CV

Education

2025, Master of Fine Arts, New York Studio School of Drawing, Painting, and Sculpture

2022, Bachelor of Fine Arts, Brooklyn College BFA

2021, 2022 Mount Gretna School of Art

Selected Group Exhibitions

From Winter, curated by AJ Lim, Muzzammil Mehdi, Nicholas Grassi, Manhattan NY, February 2025

The Late Show, curated by Thomas Spackman and James Kozlik, Manhattan, NY, November 2024

35 under 35, Juror Ruba Katrib, Long Beach, NJ, July 2024 

Routes and Roots, Bungalow Collective, Williamsburg, NY December 2023

Anthroshift, Curated by Anita Trombetta and Char Healy, Dumbo, NY, November 2023 

Arms Length, Curated by Paula Quierdo, Dumbo, NY October 2023 

First Street Gallery National Juried Show, Juror Susanna Coffey, Manhattan, NY July 2023 

In Memory of Something Else, Manhattan, NY 2022

Edible Landscapes, Lancaster, PA 2022

Mount Gretna School of Art Student Show, Mount Gretna, PA 2022

BWAC at Brooklyn Chamber of Commerce, Brooklyn, NY 2022

BFA Thesis Show, Brooklyn College, Brooklyn, NY  2022 

Winner of the Charles G Shaw Award 

Mount Gretna School of Art Student Show, Mount Gretna, PA 2021

Honorary Mention Juror Dorthea Frey

Residencies

Winter Art Bubble Residency, Mount Gretna, PA, 2021

Curated Exhibition

Blurry Vision, Brooklyn, NY, 2023

Published Writings

Reflection, Brooklyn College Literary Magazine, 2019

Past, Brooklyn College Literary Magazine, 2018

(b. 1999, Brooklyn, NY)

My paintings are heavily informed by my experience of landscape. I primarily utilize wood as a substrate and oil as a medium. Building on a foundation of perception, I seek to analyze the space we occupy through visual rhythm. While observing, I seek various structures and colors, from harmonious melodies to brash cacophonies. Once I return to the studio, I begin working on paintings inspired by the observations. I start by emphasizing and muting elements, such as observed shapes and contrasts, and then use color and physical brush strokes to respond to the painting as its own entity.

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